Berlin - Constellations of Silence
“Method of this project: literary montage. I needn’t say anything. Merely show. I shall purloin no valuables, appropriate no ingenious formulations. But the rags, the refuse—these I will not inventory but allow, in the only way possible, to come into their own: by making use of them.” - Walter Benjamin, Arcades Project
Constellations of Listening
The Morgue (Silent Green)
- Eye of the storm
- Center of calm
- Site of transformation
- Place of rest that cannot rest
The Forest
- Screams heard as silence
- Conservation as erasure
- The wind through remaining leaves
- The chainsaw’s interruption
The City
Sólido como la Piedra
Que nos une
Día a día a día
Saldremos por la ciudad
- Urban resistance
- Daily solidarity
- Collective movement
- The city’s screams
Forms of Silence
Colonial Silence
- Conservation as greenwashing
- Displacement narratives
- The silence of profit margins
- Air-conditioned removals
Resistant Silence
- Silence under torture (bravery)
- Silence under injustice (cowardice)
- The silence of grief
- The double silence of unmarked tombs
Living Silence
- Newborn’s tranquility
- Lake’s stillness
- Elder’s respect
- Ritual’s devotion
- Night sky’s incommensurability
The Politics of Listening
Equilibrium
- The ear that cannot close
- Listening as balance
- Balance as survival
- The inner ear of the world
Collective Breath
Este viento que respira, el respiro
De mi gente (de mi gente)
- Wind as collective voice
- Breathing as resistance
- The rhythm of survival
- Community as living entity
Historical Consciousness
- The storm’s eye view
- Pacific testimonies in European columbaria
- The perforated flute’s silence
- Memory as active listening
Methodological Notes
Literary Montage
- Using the fragments
- Allowing refuse to speak
- Creating constellations
- Finding meaning in juxtaposition
Zettelgartenwerk Approach
- Notes as garden
- Thoughts as cultivation
- Projects as growth
- Revolutionary potential in arrangement
Questions for Further Development
-
Spatial Politics
- How does silence manifest differently in various urban spaces?
- What is the relationship between silence and displacement?
- How do spaces of memory transform through time?
-
Temporal Politics
- How does historical silence relate to present resistance?
- What is the rhythm of collective memory?
- How does the storm’s temporality affect listening?
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Sonic Politics
- What is the relationship between music and revolution?
- How does collective breathing become political action?
- What is the sound of solidarity?
Related Concepts
- 240926 Historical Redemption and the Angel of History
- 240926 Unlearning as Redemption
- 240926 Personal and Social Redemption
- 240926 Contemporary Redemption - ReFi and Regenerative Practices
- 240223 The Ear of the Storm - Nicolás Jaar
- 240223 Tormenta - Piedras y Viento
Project Threads
- Music as revolutionary medium
- Silence as political practice
- Urban space as constellation
- Memory as active listening
- Redemption through attention
“The ears do not close. Imagination does not sleep. A politics that stems from listening is a politics of imagination.”