Music and Sound
This thread explores music and sound as philosophical practice—connecting to temporality, collective experience, and resistance.
References
| Reference | Status | Description |
|---|---|---|
| Theodor Adorno | To create | Philosophy of music |
| Jacques Attali | To create | Noise, political economy of music |
| Nicolas Jaar | Exists | Contemporary practice |
| Viento | Exists | Album reference |
People
| Person | Status | Role |
|---|---|---|
| Nicolas Jaar | To create | Electronic music, temporal consciousness |
| Theodor Adorno | To create | Critical theory of music |
| Jacques Attali | To create | Political economy of noise |
| Pauline Oliveros | To create | Deep listening |
Concepts
| Concept | Status | Description |
|---|---|---|
| Dialectics of Sound | To create | Noise, harmony, silence |
| Temporal Experience | To create | Music as time-consciousness |
| Collective Listening | To create | Shared sonic experience |
| Music and Resistance | To create | Sound as political practice |
Music References
- The Ear of the Storm
- Viento
- Audio: Nicolas Jaar — America! I’m for the Birds
Praxis
- Document musical practices connecting to mondeszetteln
- Explore sound as temporal intervention
- Map connections to resistance and solidarity
- Develop listening practices
Immediate Direction
Questions to answer:
- What is the role of Nicolas Jaar and similar artists?
- What musical practices connect to mondeszetteln?
- How does this thread intersect with temporal weaving?
Entry points
- Nicolas Jaar references
- Temporal Weaving — Sound and time